Microphones

2020 Goals: Branch into audio including podcasts and audio books

Time to talk about my first big goal for 2020! I’m getting into audio.

This is a big one that I’ve been working towards since 2017 when I started building an audio studio to do podcasting and audiobooks. I hit a bit of a snag when my daughter was born and I focused on being with her for her first year instead of doing audio, but now that things have settled down a bit at home I’m ready to do this.

My strategy for hitting audio is also part of my strategy for going wide. Audio is the fastest growing corner of the publishing market right now, and there are a lot of people listening to books and podcasts. These are my people. I’ve been an audiobook listener since the mid ’90s when the only way you could get audio was on tape. I haven’t listened to radio or music all that much since I got an iPod in the mid ’00s and discovered podcasts.

In addition there’s still a high barrier to entry for creating audiobooks, which means that there’s less competition in the market from indie authors. It can cost thousands of dollars to produce an audiobook, but if I’m able to do the recording and editing myself in my home studio then the only investment I have to make is time. It took hours spent learning Adobe Audition and audio engineering and the investment in creating the studio, but I’m hoping it’ll pay off dividends.

I’ve also wanted to start a podcast for years but never felt like I had anything to podcast about. That’s changed, though. I have ideas, and this is the plan:

Podcasting

Nonfiction Podcasting:

Motivrite: A podcast about what goes into being an indie author. I’ve learned a lot about the market over the years and would like to give back to the community by releasing a podcast with advice for authors. There are a lot of podcasts out there that focus on marketing a book and getting it to an audience, so I’m going to hit a different niche at first and talk about tips and tricks for getting the words down, and how to navigate life as a part time or full time indie.

Stretch goal – Indie Day Job: If I manage to complete all my other goals and I still have time then I’d also like to start a podcast where I talk to other indie creators about their day to day. I’m not sure if this will be happening because I already have a lot on my plate, but we’ll see. As the year goes on and some things succeed and others don’t I might have more time to launch this project.

Fiction Podcasting:

Avallanath: This is a story that’s been rattling around my head for the past decade about an author of very fat books, the fans who love to hate him, and what happens when his creations take matters into their own hands.

I started writing it while I was in grad school a decade back, and I released it as a webcomic at one point that got to be sort of popular with a few hundred people a day hitting the site daily. The problem is I’ve never been that good at drawing and I don’t feel like webcomics are a real growth area. So I plan on releasing it as an audio fiction podcast with a chapter or two a week.

Blake Byron: Paranormal Investigator: This is another story that’s been rattling around in my head for more than a decade, but I only sat down and actually wrote it in 2017. It’s the story of a former special forces soldier turned campus cop who wanted a nice quiet life. Then he came across the victim of a vampire attack, killed the vampire that killed her, and found himself in the crosshairs of the local vampires. I tried releasing this in 2017 and it didn’t meet with much success, but it’s a fun story that I enjoy and I feel like it could do well with a bit of a marketing push so I’m going to try it out in audio and see what happens.

GameLit: I have a couple of GameLit stories I’ve been working on since 2016ish when LitRPG first started taking off. The first one I plan on releasing in audio and as a wide book release is Dice Mage, which is going to be a complete rewrite of a book I released near the end of 2018 that had some moderate success, but I think it would do better being rereleased with the new longer outline I’ve worked out that tells more of a story.

Audiobooks

The plan is to release these novels wide on all ebook platforms once they’ve been finished, and then start releasing the audiobook episodes with one or two chapters being released per week to drum up interest. I’ll push people towards the finished ebooks at the end of every episode if they want to hear the whole story at once.

I also plan on releasing episodes early to backers on my Patreon which I plan on really hitting hard in 2019-2020. With a little luck I’ll be able to build an audience of readers and audiophiles who contribute for a chance to get episodes early while also adding another leg to my income table that isn’t Amazon and Kindle Unlimited.

When the books are finished in podcast form I’ll eventually release them wide as paid audiobooks as well. I won’t be going exclusive with Audible, but instead going wide with services like Findaway to diversify my income base.

Daily steps to achieve this goal

Having a lofty annual goal is all well and good, but it’s also important to think about the daily steps that’ll be necessary to make it happen. There are only so many hours in a day, and if I’m going to do everything I want to do in the 2019-2020 year then I’m going to have to focus and do it one day at a time.

The daily goal for this one is easy enough though. I’ll disappear into my home studio for a couple of hours every night after the kids are in bed and work on recording stuff. I’ll probably only do this Monday through Friday, taking weekends off to relax and have a little bit of fun.

Wrapping up

And that’s the audio plan for 2019-2020! I’m in the middle of production of episodes of Blake Byron and hope to start releasing that podcast in October to tie in with the horror vibe the book gives off. I’ve worked out outlines for nine episodes of Motivrite so far as well. I have about ten episodes of Avallanath written and will start recording that soon, and I’m currently working on finishing the updated version of Dice Mage and probably won’t begin recording that until November or December.

It’s a lot on my plate, but I really enjoy sitting in the booth and doing some recording. It gives me an opportunity to explore a new market, give another polish run on the manuscript, and flex my acting muscles which I haven’t had a chance to do in years. I’m looking forward to seeing where I’ll be in audio by next year!

Dynamic vs. Condenser microphones for home studio voice over

I’ve been spending a lot of time getting acquainted with microphones over the past couple of years. I’ve gone through several different microphones while attempting to launch a writing podcast and each time life got in the way and I ended up not launching.

I got really serious about it back in April of this year though. Starting a podcast is something I’ve always wanted to do and there are two that I’m working on launching. I’ve been waiting, though, because I tend to be a perfectionist when I’m launching a new project and I’ve been trying to find the perfect microphone for a home studio setup.

Which brings me to today’s post and a lesson that I learned the hard way. Which is better for a home studio? Dynamic or condenser?

The short answer is a dynamic microphone all the way, but there’s a longer version of this that takes in some nuance you’ll need to consider if you’re putting together a home studio of your own for podcasting or audiobook narration.

Dynamic Microphone Pros

  • Not as sensitive so they will have a much lower noise floor
  • Because of that lack of sensitivity they work well in home studios that aren’t perfectly noise proof
  • Tend to be a lot cheaper than condenser microphones

Dynamic Microphone Cons

  • The lack of sensitivity means that there is some vocal nuance they won’t pick up which can be a problem for audiobook narration where that nuance can be important
  • A lot of the more popular dynamic microphones are quiet which means you’ll have to have a good audio interface that can provide a lot of clean gain. Alternatively you can get a gadget like the Cloudlifter that adds clean gain to your signal, but it’s another cost on top of already laying out some decent money for a good dynamic mic.
  • A lot of dynamic microphones are designed more for radio work than for audiobook narration. The practical upshot is that they tend to be very “boomy” with emphasis on the low end, think that big radio voice on the local Top 40 station. This can be taken care of with a high pass filter, but it’s still a consideration.

Condenser Microphone Pros

  • They have all that vocal nuance mentioned above. There’s a reason why a lot of voice actors and audiobook narrators prefer condenser mics

Condenser Microphone Cons

  • Condenser mics are sensitive. Ridiculously sensitive. I have a neighbor with a muscle car a few houses down and every time they started it up the Rode NTK I was working with would pick it up. It would also pick up mouth noise that drove me to distraction and was ultimately the reason I abandoned my condenser. That sensitivity might be great in a professional studio, but it’s not going to work as well in most home studios which aren’t acoustically clean.
  • Condenser mics are expensive. The Rode NT1A, the microphone recommended by ACX for getting started in audiobook narration, is reasonable at a couple hundred bucks, but they only go up from there. Condenser mics can cost as much as a cheap new car unlike their dynamic brethren which tend to cost maybe five hundred bucks at the most.

I absolutely loved the way the Rode NTK sounded. It had that crisp condenser sound to it and it picked up nuances in my performance, but ultimately the sensitivity was the deal breaker for me. No matter what I tried it picked up too much background noise and too many mouth noises. I realize the mouth noises are more of a performance problem than an equipment problem, but I eventually settled on a nice dynamic that didn’t pick up any of that and saved me a ridiculous amount of editing time.

In the end I went with an Audio Technica BP40 dynamic microphone after trying out several mics. Including some industry standard mics that underwhelmed me, but that’s a subject for another post. The BP40 had the best sound with my voice, and best of all it shows a lot of that condenser nuance but in a dynamic mic that doesn’t pick up room noise or mouth noise or a house fly farting on the wall of a house on the other side of the street.

If you’re thinking of setting up a home studio for podcasting or audiobook narration and you have an environment that’s less than acoustically ideal then a dynamic microphone is definitely the way to go. Condensers might look all shiny, but ultimately you need to go with the tool that works and not the tool that looks the nicest.