Podcasting

Motivrite 3: Vanity Publishing vs. Self-publishing


For the longest time vanity publishing and self-publishing were one and the same. If someone couldn’t get a deal with a traditional publisher then their only other option was to go with a vanity publisher who would gladly print up anything the author wanted, for a price. This naturally led to a bunch of not-so-great stuff being vanity published, and there’s a stigma associated with vanity publishing that still lingers around all self-publishing to this day.

But vanity publishing and modern indie self-publishing are far from the same thing, and it’s time for that old stigma and snooty attitude about self-publishers to go. Today’s episode of Motivrite dives into a brief history of vanity publishing, and the differences between old school vanity publishing and modern digital self-publishing.

Show Notes:

0:30 – The distinction between vanity publishing and self-publishing. One of these things is not like the other.

Vanity publishing and self-publishing used to be the same thing. That’s not the case anymore. Good work is being done by indies now that digital self-publishing has democratized the process, and this podcast is going to delve into the history of vanity publishing and compare it to modern digital self-publishing.

1:20 “Publishing companies” that weren’t publishing companies at all. My introduction to the world of vanity publishing.

A brief story about my introduction to the world of vanity publishing. Aka how I learned to stop worrying and accept that I wasn’t actually getting a publishing contract for a short story I wrote for my high school newspaper.

2:35 What is vanity publishing?

A history of old school vanity publishing and why it has a much deserved bad reputation among writers and publishers.

4:37 Not knowing the distinction between vanity publishing and digital self-publishing held me back from my future career. Don’t let it hold you back.

For the longest time I thought that digital self-publishing was just the new version of offline vanity publishing, and this held me back from self-publishing my stuff for several years I could’ve been using to build my career. Don’t let this happen to you.

5:40 Digital self-publishing is a whole new world of indie publishing.

There’s a whole new world of opportunities for writers because of the digital publishing revolution. I go into the differences between the old and busted self-publishing and the new hotness, and why one is still a costly dead end and one is your path to a potential new career.

7:45 Sturgeon’s Law is alive and well, but digital self-publishing allows the cream to rise to the top instead of relying on gatekeepers.

I tackle one of the most common criticisms against self-publishing: that a lot of the material that’s put out there isn’t that good. Which is true. There is a lot of crap out there, but there are also plenty of new systems in place that help the good stuff rise to the top that are far better than the old gatekeeping system of agents and publishers, because it’s the readers who get to decide what’s worthwhile in this new paradigm.

8:30 Digital markets are the great equalizer that puts indies on an equal footing with trad publishers.

We’ve never lived in a better time for writers to make money from their craft. Vanity publishing was a last ditch way for writers who couldn’t cut it in the old system to get their stuff out there, and it almost never worked. Digital self-publishing is a great new level playing field where anyone writing good stuff can stand out from the crowd and make a career!

Motivrite 2: What makes a career author?

In the second episode of Motivrite I do a dive into what it takes to be a career writer. There’s no one path to making a writing career, but there are some skills and habits that will make it a lot easier for you to take your writing from hobby to career. I talk a little bit about what it takes, and how you can get there!

Show Notes

0:27 – What makes someone a practitioner of an art?

Is it the act of doing, or is it getting paid? Is it getting paid or is it getting paid enough to do full time? Which gatekeeper is right?

1:40 – What is a career writer?

Career writers are working towards or making enough money to do this as a full time job. What does it take to hit this goal?

2:50 – What makes a career writer?

I talk about some of the skills and habits that career writers all have in common.

  1. Be a reader
  2. Be able to write
  3. Be disciplined
  4. Have a desire to learn
  5. Have ambition that’s paired with a work ethic and a desire to make it
  6. Treat writing like a job if you want it to be your job

13:20 – It’s not as difficult as you might think!

If you’re listening to this podcast then you’re taking the first step towards achieving what you need to make writing your career.

 

Introducing Motivrite

I’ve been wanting to do a podcast about writing since I first went full time back in 2015. I’ve dabbled in it here and there, but a variety of things kept me from actually hitting the publish button. Until today.

That’s right! I’ve finally got the time to put together some podcasting, and after a year of spending time here and there putting together a home studio, Motivrite is finally ready to go! You can hit play up above to listen to episode 1, or have a look at the show notes below. Thanks for listening!

Show notes:

Episode 1 is a quick introduction to Motivrite that talks about what I see the podcast covering, including:

Business tips

The career indie author has to be a businessperson on top of being a writer these days, and Motivrite will help with that.

Advice for newbies and pros

There’ll be advice in Motivrite that will help people just getting started and people who have been doing this for a few years and are old hands at the business.

Health advice for writers

Writers aren’t slaving away in the word mines, but there are health pitfalls associated with this sedentary job. I’ll have health tips, tricks, and advice for the career author.

Inspiration

Everyone needs a little inspiration, and Motivrite will occasionally feature inspiring stories of authors who made it!

Productivity

Productivity is tough. Motivrite will help with tips and tricks I’ve learned doing this full time for four years that will hopefully help you out and help you avoid some of the mistakes I’ve made!

Writing tools

Sure writing can be done with a pencil and a notebook, but the modern indie author is going to have to be a lot more high tech than that. Motivrite will cover all sorts of nifty tools from the absolutely necessary to the stuff that’s nice to have but not a must have.

 

Progress update: 11/1/2018

November! The start of NaNo, which I won’t be participating in, but that’ll be in its own post. This is my daily progress update to keep me honest!

I didn’t get anything done yesterday. I went on a field trip with my kid which ate up most of the day, and when I got home I was so exhausted that I took a nap that lasted just long enough for me to feed the kids and go out for trick or treating.

Today was more productive from a writing standpoint! I wrote 13,223 words and revised 9,951.

On the podcast front it was also a productive day. I finished chapter 8 of Dice Mage and will be launching that in the next couple of days. I also changed the intro and outtro to a couple of episodes of a podcast about writing that I’ve been working on. I’d originally conceived of the podcast as daily, but if I’m also doing fiction podcasts that’s not possible so I’m changing the bumpers to reflect the new weekly schedule.

That should launch here pretty soon as well considering I have quite a few episodes in the bank.

All in all it was a productive day. Here’s hoping I continue the streak tomorrow!

Progress update: 10/30/2018

A bit of a slower day today. Didn’t get much sleep the night before because of a sick kiddo, and as such I ended up sleeping a good chunk of the morning away which hit me right in the productivity.

I wrote 8336 words today and revised 4,129. Not a bad day, but I didn’t get much other work done aside from writing because the morning was shot.

On the podcast/audiobook front I recorded and finished chapter 7 of Dice Mage. I also submitted a support ticket to the good people at Libsyn to get the slug for the hosting I’m paying for there switched to reflect Dice Mage rather than Blake Byron, which I’ve abandoned for the moment. Once that’s sorted I’ll upload the first seven chapters and start my great experiment seeing if podcasting is a decent way to build an audience!

That’s it for today. It was an abbreviated day so it’ll be an abbreviated day.

Progress update: 10/29/2018

I’m going to start a new thing where I do a quick update at the end of a work day talking about everything I accomplished that day. I figure it’s a way to keep myself accountable while also providing some encouragement to get my butt in gear and get stuff done.

Today I wrote 11,941 words across seven projects I’m currently working on. I had a bunch of outlining in there as I’m currently outlining one book for my pen name, and another that I plan on releasing under my name.

I also revised 9,086 words on a project for my main pen name that I’m putting the finishing touches on. I’m a little behind on that one, but what can you do?

I’m getting closer and closer to finishing the sprawling 200,000 word doorstopper GameLit novel I’ve been working on for almost a year now. Even when I finish that there are going to be heavy edits to be done, but simply being close to the end on a project that’s the longest book I’ve ever written feels pretty good. I’m going to have to bust my butt on revisions to get it out by the holiday season though.

I also made progress on the Dice Mage podcast audiobook experiment I’m going to try with that book. Everyone keeps talking about how audio is the new hotness, and I figure I’ll give it a try and see if it’s any good for audience building. I finished editing chapter 5, and recorded, edited, and finished chapter 6 as well. I plan on releasing that to the world now that I have six episodes banked to get those download numbers up when it goes live on various podcasting services.

I also started, but didn’t finish, a couple of blog posts. One about making dining reservations at Disney World, based on a recent experience I had dealing with that frustration, and another about my experiences with the Sega Genesis on the occasion of that system’s 30th birthday.

That’s it for today! Time to hit the sack and prepare for another full day tomorrow.

Blake Byron: Paranormal Investigator

I’m trying a bit of experimenting with a novel I’ve been working on off and on for years now. Blake Byron: Paranormal Investigator is the story of a former special forces soldier who was looking for a nice quiet life as a campus cop raising his family away from the nastiness that was life in the military.

Until one night he kills a vampire on a call. The vampires in his quiet town don’t take too kindly to this, and it sets in motion a chain of events that leads to a man-on-vampire rampage with doses of humor thrown in for good measure.

I put this book up on Amazon a few months back and relied on my strategy of writing fast with an interesting cover, good blurb, and no advertising. And it flopped. Hard.

Why did it flop? I think there are a few reasons.

  1. The story is sort of in an in-between place which isn’t great if you’re looking to write to market. It’s a Paranormal/Horror/Thriller/Comedy. There is a Horror Comedy category on Amazon. There are paranormal thrillers on Amazon. I think something that falls in between all of those is a little more difficult to pigeonhole though.
  2. The cover doesn’t exactly fit with the big selling genres in paranormal. If you look at those it’s a lot of wizards and witches who are impossibly sexy wielding magic, but that didn’t really fit with what the book was so I went with something different, which is not a good idea if you’re looking to write to market.
  3. The protagonist is a badass, but again he doesn’t really fit in with the witch and wizard protagonists that are the bread and butter of paranormal categories. As such it’s going to be a more difficult sell.
  4. I didn’t put any money into traditional advertising channels. I’m typically not a huge fan of pay to play when it comes to book launches. Most of my successes have been books that were quirky with interesting covers that took off, but clearly that didn’t work here.
  5. The paranormal and urban fiction categories on Amazon are filled to the brim. it’s difficult for someone to be noticed in those categories because everyone and their mother is writing in those categories. I think the book falls more under Horror Comedy, with some overlap with Urban Fantasy, but the glut of titles makes it a more difficult sell than it would be otherwise.

Add all that stuff up and you have a book launched on hard mode. I did that intentionally though. Sure it would’ve been nice if it took off, but at the same time I knew that it was a bit of a long shot.

The thing is I already have established pen names that are making me a living, so I’m a little more comfortable with being unorthodox and experimental with some of the stuff I’m writing to release under my own name. I feel like Blake Byron is a good novel with a fun story, and so I’m going to try some unorthodox marketing strategies and see how they play out.

Right now those strategies include:

  1. Releasing chapters twice weekly in a podcasted audiobook. This lets me use some of the podcasting equipment I’ve put together in the past year with the intent of recording a podcast/audiobooks when I started releasing stuff under my name.
  2. Releasing chapters twice weekly on Royal Road Legends and Wattpad. I don’t think it will do that well at Wattpad since right now the top categories seem to be sexy vampires who fall in love with teenage girls and semi-sexy YouTubers who fall in love with teenage girls, but you never know.
  3. Launch a writing podcast that I’ve been thinking about doing since I went full time at this back in 2015. This doesn’t directly relate to publicizing fiction I’ve written, but I’m hoping that some of the traffic generated to my site might translate into people checking out my writing.

I’m going to see how much traction those options pick up. I’m also considering doing a wide release and making it a freebie to see if that gains any traction as I already have a couple of other books in the series written. I stupidly did so because I was having so much fun with it and didn’t expect it to flop as hard as it did.

You live and you learn. I’ll be sure to write updates on how it’s going. Basically I want to take a book and start from nothing. No mailing list because I don’t want my real name associated with my erotica and romance pen names that are paying the bills. No advertising because people who are starting out don’t have money to throw at advertising and I’m not a fan of the whole pay to play ecosystem that’s slowly been building up over the past few years. No Kindle Unlimited because I want to try a wide strategy that doesn’t involve Amazon pumping money into their bid for author exclusivity.

Maybe it will succeed. Maybe it’ll crash and burn. At the end of the day at least I tried something, and that’s what this business is all about!

Check it out at Royal Road!

Check it out at WattPad!

The year of busting my ass

So I just got done reading Arnold Schwarzenegger’s autiobiography¬†Total Recall that tells the story of his life from his early days until the late 2000s when it was published. I have to say I came away from the book inspired. Say what you will about the guy, but he has a work ethic. He saw a goal, decided he was going for it, and didn’t let anything like doubts or second guessing stop him once he set one of those goals.

It’s inspiring stuff, and it’s inspired me as well. I’ve had a few projects that I’ve been kicking around and I’ve decided that I’m going to try a new experiment. I call it the Year of Busting My Ass.

What does that mean? Well it’s actually pretty simple. It means I’m going to come up with some goals, and for the next year I’m going to bust my ass to make sure those goals become a reality. It won’t be the first time I’ve done something like this. Having my daughter home with me watching her and working has reminded me of the most productive time in my life back in 2014 when I was busting my ass writing, working a full time job, and helping to take care of my brand new son.

Basically it’s when I feel a time crunch that I’m at my most productive. At least that’s the idea.¬†So here are the goals that I’d like to accomplish week to week for the next year:

  1. Write 5500 words a day every day with breaks for holidays.
  2. Set up a regular schedule of posting under my romance pen name every six weeks, alternating slightly between niches and working on two at a time so that I’m getting something out every three weeks or so.
  3. Get back into a regular schedule with my steamy romance/erotica pen name so that I’m releasing a new short/novella of around 20k-25k every three weeks.
  4. Publish a new episode of my epic fantasy comedy podcast every week.
  5. Publish two audio chapter episodes of my supernatural thriller/urban fantasy/horror comedy audiobook podcast every week as individual episodes.
  6. Publish an episode of my writing motivation podcast every week.
  7. Exercise for an hour and a half every day and get back into shape, because this tubby look isn’t working for me.
  8. Clean up my diet and start eating a more healthy and balanced diet to support my desire to get in shape, because this tubby look isn’t working for me.
  9. Get seven to eight hours of sleep a day.
  10. Make $150,000 in the next year from all of my writing and podcasting efforts.

Are all of those doable? Maybe, and maybe not. I think they’re certainly possible given past performance. It’s just a matter of buckling down and actually doing in the work.

I’m gonna be honest here. I’ve been in a bit of a slump this past year and a half. It started with my grandma getting sick and ultimately passing at the end of 2015, then we moved to a new house in the middle of 2016 which took move of my time than I’d like even though it was totally worth it. My dad was diagnosed with cancer about a year ago and died at the end of September 2016 which did a number on me even if I wasn’t willing to admit it to myself at the time. Then my wife got pregnant which we were totally trying for, but having a pregnant wife and then a new baby in the house is a surefire recipe for messing up even the best planned schedule.

In short there’s been a lot that’s happened in the past year and a half and I feel like I sort of dropped the ball. I got used to coasting along with the success I’ve already achieved even though I knew that success wasn’t going to be enough for me. I still have things I want to accomplish in my indie career, and I feel like getting to the point where I have a good full time income I can use to support myself and my family is only the beginning.

It’s time to stop with excuses. It’s time to buckle down and get shit done while also maintaining a work/life balance. It’s time for the year of busting my ass.

September 2016 was a really bad time for me where I didn’t get any work done because I was dealing with a terrible loss and being there for my family. September 2017 is going to be the month I get back the old me who worked his ass off to get where I am now, and hopefully achieve things beyond anything I could’ve imagined when I was quitting the day job.

Dynamic vs. Condenser microphones for home studio voice over

I’ve been spending a lot of time getting acquainted with microphones over the past couple of years. I’ve gone through several different microphones while attempting to launch a writing podcast and each time life got in the way and I ended up not launching.

I got really serious about it back in April of this year though. Starting a podcast is something I’ve always wanted to do and there are two that I’m working on launching. I’ve been waiting, though, because I tend to be a perfectionist when I’m launching a new project and I’ve been trying to find the perfect microphone for a home studio setup.

Which brings me to today’s post and a lesson that I learned the hard way. Which is better for a home studio? Dynamic or condenser?

The short answer is a dynamic microphone all the way, but there’s a longer version of this that takes in some nuance you’ll need to consider if you’re putting together a home studio of your own for podcasting or audiobook narration.

Dynamic Microphone Pros

  • Not as sensitive so they will have a much lower noise floor
  • Because of that lack of sensitivity they work well in home studios that aren’t perfectly noise proof
  • Tend to be a lot cheaper than condenser microphones

Dynamic Microphone Cons

  • The lack of sensitivity means that there is some vocal nuance they won’t pick up which can be a problem for audiobook narration where that nuance can be important
  • A lot of the more popular dynamic microphones are quiet which means you’ll have to have a good audio interface that can provide a lot of clean gain. Alternatively you can get a gadget like the Cloudlifter that adds clean gain to your signal, but it’s another cost on top of already laying out some decent money for a good dynamic mic.
  • A lot of dynamic microphones are designed more for radio work than for audiobook narration. The practical upshot is that they tend to be very “boomy” with emphasis on the low end, think that big radio voice on the local Top 40 station. This can be taken care of with a high pass filter, but it’s still a consideration.

Condenser Microphone Pros

  • They have all that vocal nuance mentioned above. There’s a reason why a lot of voice actors and audiobook narrators prefer condenser mics

Condenser Microphone Cons

  • Condenser mics are sensitive. Ridiculously sensitive. I have a neighbor with a muscle car a few houses down and every time they started it up the Rode NTK I was working with would pick it up. It would also pick up mouth noise that drove me to distraction and was ultimately the reason I abandoned my condenser. That sensitivity might be great in a professional studio, but it’s not going to work as well in most home studios which aren’t acoustically clean.
  • Condenser mics are expensive. The Rode NT1A, the microphone recommended by ACX for getting started in audiobook narration, is reasonable at a couple hundred bucks, but they only go up from there. Condenser mics can cost as much as a cheap new car unlike their dynamic brethren which tend to cost maybe five hundred bucks at the most.

I absolutely loved the way the Rode NTK sounded. It had that crisp condenser sound to it and it picked up nuances in my performance, but ultimately the sensitivity was the deal breaker for me. No matter what I tried it picked up too much background noise and too many mouth noises. I realize the mouth noises are more of a performance problem than an equipment problem, but I eventually settled on a nice dynamic that didn’t pick up any of that and saved me a ridiculous amount of editing time.

In the end I went with an Audio Technica BP40 dynamic microphone after trying out several mics. Including some industry standard mics that underwhelmed me, but that’s a subject for another post. The BP40 had the best sound with my voice, and best of all it shows a lot of that condenser nuance but in a dynamic mic that doesn’t pick up room noise or mouth noise or a house fly farting on the wall of a house on the other side of the street.

If you’re thinking of setting up a home studio for podcasting or audiobook narration and you have an environment that’s less than acoustically ideal then a dynamic microphone is definitely the way to go. Condensers might look all shiny, but ultimately you need to go with the tool that works and not the tool that looks the nicest.

 

Daily update: 8/21/2017

I should really start doing these daily writing updates again. I’ve had to start really regimenting my time because I’m taking care of my daughter during the day. It’s one of the perks of working for myself, but it also means I have to be a lot more careful about how I spend my time.

And I need to spend some of my time building this blog. Both because it’s fun and because it’s part of the whole long term strategy I’m working on to publish stuff under my own name.

So with that in mind, here is what I accomplished yesterday to advance my long term business goals:

Writing

Romance: 2044 words

SciFi Romance: 2039 words

Erotica: 1007 words

Paranormal Thriller/Comedy: 2041 words written, 2400 words revised

Fantasy Audio Drama: 1049 words

Total daily word count: 8180

Podcasting

I really ran into some frustration with this yesterday. I’ve been trying to get my recordings to work with a Rode NTK Large Diaphragm Condenser microphone. For those unfamiliar with audio there are two kinds of microphones that are used for audiobook and podcast narration.

Dynamic microphones are less sensitive and have a little less vocal range and nuance. They’re the kind of microphone preferred by podcasters, livestreamers, etc. because they provide that big boomy “radio” voice.

Condenser microphones are way more sensitive but they pick up a lot more nuance in your voice. So they’re popular with audiobook narraters and voiceover artists because it catches more of the performance.

The problem with condenser mics is that super sensitivity also means they can pick up everything which isn’t necessarily a good thing if you’re in a home studio where the kids are playing down the hall and the neighbors are out chatting and your wife is watching CSI: Miami in the bedroom on the other side of the house. You inevitably pick up the sound of play, the neighbors, and Roger Daltrey screaming to punctuate David Caruso making a clever murder related quip.

I’ve been trying to make the Rode NTK, a wonderful microphone with a great sound, work, but I’m coming to the conclusion that it’s just not right for my setup right now. A small walk-in closet in an out of the way part of the house that ain’t a studio no matter how much I gussy it up.

Basically I’m spending so much time “fixing” things that sneak into the recording in post-production that it’s causing major delays and making it so I couldn’t release my big audio drama I’m planning on a reliable schedule, so I think it’s time to move back to dynamic mics for now and see if the results are any better.

Because right now I’m way behind the schedule I want to stick to, which is frustrating.

That’s the thing about being an indie though. You’re going to run into problems like this, and part of the fun and the frustration is figuring out solutions to these problems. Sometimes you get it right and it’s amazing, and sometimes it’s days of frustration. Yesterday was one of the frustrating days on the podcast front, but here’s hoping that won’t last much longer!