I have a cautionary tale for you today and a moral.
I was looking to decorate a corner of my basement in a Godzilla theme about a month back. I got autographs from Haruo Nakajima who played Godzilla in the original and many subsequent movies as well as Tsutomu Kitagawa who played the Big G in Godzilla 2000.
As part of that redecoration I ordered a nice looking wall sticker from SmackMyTeeUp.com that featured a silhouette of the Tokyo skyline with everyone’s favorite lizard stomping through it. I was excited. It was going to look awesome.
It never came.
I did some digging after a month had gone by with no sticker. They said it was supposed to be there in a week or so. They sent me a tracking number that never ended up tracking anything. And in doing that digging I realized that the website was a fly by night operation that had already gotten in trouble and closed up shop under one name before opening SmackMyTeeUp. There are numerous complaints out there about them doing exactly what they did to me to other people as well.
I tried getting in touch with them but they didn’t answer emails. Go to their website now and it’s a parked GoDaddy domain. Obviously they were looking to hoover up as much money as they could from people before disappearing and starting over again at a new site.
I initiated a chargeback with my bank and the lady there sent them a few emails that they never answered. I got my money back through the chargeback, but it’s annoying to have to mess with that in the first place.
The moral of the story? Always check out the reviews on a retailer before you order from them. It’s not something I’ve had to think of since I usually order from older established sites with a record, but a simple search in this case would’ve revealed I never should’ve ordered from those assholes in the first place and I would’ve saved myself some time.
Always do your research online. Especially where money is concerned!
So I just got done reading Arnold Schwarzenegger’s autiobiography Total Recall that tells the story of his life from his early days until the late 2000s when it was published. I have to say I came away from the book inspired. Say what you will about the guy, but he has a work ethic. He saw a goal, decided he was going for it, and didn’t let anything like doubts or second guessing stop him once he set one of those goals.
It’s inspiring stuff, and it’s inspired me as well. I’ve had a few projects that I’ve been kicking around and I’ve decided that I’m going to try a new experiment. I call it the Year of Busting My Ass.
What does that mean? Well it’s actually pretty simple. It means I’m going to come up with some goals, and for the next year I’m going to bust my ass to make sure those goals become a reality. It won’t be the first time I’ve done something like this. Having my daughter home with me watching her and working has reminded me of the most productive time in my life back in 2014 when I was busting my ass writing, working a full time job, and helping to take care of my brand new son.
Basically it’s when I feel a time crunch that I’m at my most productive. At least that’s the idea. So here are the goals that I’d like to accomplish week to week for the next year:
Write 5500 words a day every day with breaks for holidays.
Set up a regular schedule of posting under my romance pen name every six weeks, alternating slightly between niches and working on two at a time so that I’m getting something out every three weeks or so.
Get back into a regular schedule with my steamy romance/erotica pen name so that I’m releasing a new short/novella of around 20k-25k every three weeks.
Publish a new episode of my epic fantasy comedy podcast every week.
Publish two audio chapter episodes of my supernatural thriller/urban fantasy/horror comedy audiobook podcast every week as individual episodes.
Publish an episode of my writing motivation podcast every week.
Exercise for an hour and a half every day and get back into shape, because this tubby look isn’t working for me.
Clean up my diet and start eating a more healthy and balanced diet to support my desire to get in shape, because this tubby look isn’t working for me.
Get seven to eight hours of sleep a day.
Make $150,000 in the next year from all of my writing and podcasting efforts.
Are all of those doable? Maybe, and maybe not. I think they’re certainly possible given past performance. It’s just a matter of buckling down and actually doing in the work.
I’m gonna be honest here. I’ve been in a bit of a slump this past year and a half. It started with my grandma getting sick and ultimately passing at the end of 2015, then we moved to a new house in the middle of 2016 which took move of my time than I’d like even though it was totally worth it. My dad was diagnosed with cancer about a year ago and died at the end of September 2016 which did a number on me even if I wasn’t willing to admit it to myself at the time. Then my wife got pregnant which we were totally trying for, but having a pregnant wife and then a new baby in the house is a surefire recipe for messing up even the best planned schedule.
In short there’s been a lot that’s happened in the past year and a half and I feel like I sort of dropped the ball. I got used to coasting along with the success I’ve already achieved even though I knew that success wasn’t going to be enough for me. I still have things I want to accomplish in my indie career, and I feel like getting to the point where I have a good full time income I can use to support myself and my family is only the beginning.
It’s time to stop with excuses. It’s time to buckle down and get shit done while also maintaining a work/life balance. It’s time for the year of busting my ass.
September 2016 was a really bad time for me where I didn’t get any work done because I was dealing with a terrible loss and being there for my family. September 2017 is going to be the month I get back the old me who worked his ass off to get where I am now, and hopefully achieve things beyond anything I could’ve imagined when I was quitting the day job.
I’ve been spending a lot of time getting acquainted with microphones over the past couple of years. I’ve gone through several different microphones while attempting to launch a writing podcast and each time life got in the way and I ended up not launching.
I got really serious about it back in April of this year though. Starting a podcast is something I’ve always wanted to do and there are two that I’m working on launching. I’ve been waiting, though, because I tend to be a perfectionist when I’m launching a new project and I’ve been trying to find the perfect microphone for a home studio setup.
Which brings me to today’s post and a lesson that I learned the hard way. Which is better for a home studio? Dynamic or condenser?
The short answer is a dynamic microphone all the way, but there’s a longer version of this that takes in some nuance you’ll need to consider if you’re putting together a home studio of your own for podcasting or audiobook narration.
Dynamic Microphone Pros
Not as sensitive so they will have a much lower noise floor
Because of that lack of sensitivity they work well in home studios that aren’t perfectly noise proof
Tend to be a lot cheaper than condenser microphones
Dynamic Microphone Cons
The lack of sensitivity means that there is some vocal nuance they won’t pick up which can be a problem for audiobook narration where that nuance can be important
A lot of the more popular dynamic microphones are quiet which means you’ll have to have a good audio interface that can provide a lot of clean gain. Alternatively you can get a gadget like the Cloudlifter that adds clean gain to your signal, but it’s another cost on top of already laying out some decent money for a good dynamic mic.
A lot of dynamic microphones are designed more for radio work than for audiobook narration. The practical upshot is that they tend to be very “boomy” with emphasis on the low end, think that big radio voice on the local Top 40 station. This can be taken care of with a high pass filter, but it’s still a consideration.
Condenser Microphone Pros
They have all that vocal nuance mentioned above. There’s a reason why a lot of voice actors and audiobook narrators prefer condenser mics
Condenser Microphone Cons
Condenser mics are sensitive. Ridiculously sensitive. I have a neighbor with a muscle car a few houses down and every time they started it up the Rode NTK I was working with would pick it up. It would also pick up mouth noise that drove me to distraction and was ultimately the reason I abandoned my condenser. That sensitivity might be great in a professional studio, but it’s not going to work as well in most home studios which aren’t acoustically clean.
Condenser mics are expensive. The Rode NT1A, the microphone recommended by ACX for getting started in audiobook narration, is reasonable at a couple hundred bucks, but they only go up from there. Condenser mics can cost as much as a cheap new car unlike their dynamic brethren which tend to cost maybe five hundred bucks at the most.
I absolutely loved the way the Rode NTK sounded. It had that crisp condenser sound to it and it picked up nuances in my performance, but ultimately the sensitivity was the deal breaker for me. No matter what I tried it picked up too much background noise and too many mouth noises. I realize the mouth noises are more of a performance problem than an equipment problem, but I eventually settled on a nice dynamic that didn’t pick up any of that and saved me a ridiculous amount of editing time.
In the end I went with an Audio Technica BP40 dynamic microphone after trying out several mics. Including some industry standard mics that underwhelmed me, but that’s a subject for another post. The BP40 had the best sound with my voice, and best of all it shows a lot of that condenser nuance but in a dynamic mic that doesn’t pick up room noise or mouth noise or a house fly farting on the wall of a house on the other side of the street.
If you’re thinking of setting up a home studio for podcasting or audiobook narration and you have an environment that’s less than acoustically ideal then a dynamic microphone is definitely the way to go. Condensers might look all shiny, but ultimately you need to go with the tool that works and not the tool that looks the nicest.
I should really start doing these daily writing updates again. I’ve had to start really regimenting my time because I’m taking care of my daughter during the day. It’s one of the perks of working for myself, but it also means I have to be a lot more careful about how I spend my time.
And I need to spend some of my time building this blog. Both because it’s fun and because it’s part of the whole long term strategy I’m working on to publish stuff under my own name.
So with that in mind, here is what I accomplished yesterday to advance my long term business goals:
Romance: 2044 words
SciFi Romance: 2039 words
Erotica: 1007 words
Paranormal Thriller/Comedy: 2041 words written, 2400 words revised
Fantasy Audio Drama: 1049 words
Total daily word count: 8180
I really ran into some frustration with this yesterday. I’ve been trying to get my recordings to work with a Rode NTK Large Diaphragm Condenser microphone. For those unfamiliar with audio there are two kinds of microphones that are used for audiobook and podcast narration.
Dynamic microphones are less sensitive and have a little less vocal range and nuance. They’re the kind of microphone preferred by podcasters, livestreamers, etc. because they provide that big boomy “radio” voice.
Condenser microphones are way more sensitive but they pick up a lot more nuance in your voice. So they’re popular with audiobook narraters and voiceover artists because it catches more of the performance.
The problem with condenser mics is that super sensitivity also means they can pick up everything which isn’t necessarily a good thing if you’re in a home studio where the kids are playing down the hall and the neighbors are out chatting and your wife is watching CSI: Miami in the bedroom on the other side of the house. You inevitably pick up the sound of play, the neighbors, and Roger Daltrey screaming to punctuate David Caruso making a clever murder related quip.
I’ve been trying to make the Rode NTK, a wonderful microphone with a great sound, work, but I’m coming to the conclusion that it’s just not right for my setup right now. A small walk-in closet in an out of the way part of the house that ain’t a studio no matter how much I gussy it up.
Basically I’m spending so much time “fixing” things that sneak into the recording in post-production that it’s causing major delays and making it so I couldn’t release my big audio drama I’m planning on a reliable schedule, so I think it’s time to move back to dynamic mics for now and see if the results are any better.
Because right now I’m way behind the schedule I want to stick to, which is frustrating.
That’s the thing about being an indie though. You’re going to run into problems like this, and part of the fun and the frustration is figuring out solutions to these problems. Sometimes you get it right and it’s amazing, and sometimes it’s days of frustration. Yesterday was one of the frustrating days on the podcast front, but here’s hoping that won’t last much longer!
Marvel’s Defenders is the new hotness over on Netflix. Their latest bingeable masterpiece tailor-made to get people to keep renewing those Netflix subscriptions.
As a huge geek it’s the sort of show that should be catnip for me, but I’m just not feeling it. Y’know what I am feeling?
There’s just so much new stuff coming out and I have to wonder when it’s going to get to the point that the superhero trend starts to fizzle out. No pop culture fascination can last forever even if it does have the power of the mouse behind it running it into the ground.
Netflix is the perfect microcosm of this. I watched Jessica Jones and really liked it. The only problem? When I went back to watch it again I wasn’t as interested, and I realized that the only thing that kept me coming back to that show was David Tennant who provided the first truly menacing villain any on-screen Marvel property has seen since the whole Marvel Cinematic Universe became a thing.
I tried Daredevil. Everyone was raving about it, but it felt like more of the same. I forced myself to watch a few episodes, but then it got to the point where I got distracted by something else and I never came back to it.
Iron Fist? I didn’t even bother with it when it hit Netflix. I did catch parts of a few episodes because my brother in law is obsessed with the Netflix Marvel stuff and I happened to be over at his house for something on the day he was binging it.
The snapshots I saw of the show convinced me it wasn’t something that I needed to sit down and explore in its entirety.
Maybe it’s just that I’m getting too old to really appreciate the new pop culture hotness in a way I would’ve when I was younger and had more time on my hands. There was a time when I got on the hype train for things like this, but I guess I was burned enough times that I’m willing to let the hype train leave the station without me and I’ll wait to see if it’s going anywhere worthwhile before I give something a try.
I keep seeing people saying wonderful things about the Netflix Marvel stuff, and I just don’t get it. I guess it’s not for me and that’s fine. Difference is what makes the world go ’round, after all.
Mostly it makes me feel old though. I’m at the point where I have to carefully ration the time that I do spend on pop culture stuff. Between running my own author business and two kids, including a newborn that I’m taking care of during the day now because fuck paying $1400 a month for someone else to watch a newborn sleep all day at daycare, I find myself spending less and less time on stuff that doesn’t capture my attention and imagination right away.
Maybe that’s getting older. Maybe I’ve just lost patience for stuff that isn’t immediately gratifying. Either way, I think I’ll be giving Defenders a pass.
I just found this out yesterday because I’m terrible at keeping up with media and what’s in theaters. I hardly ever go to see anything in the theaters these days considering we pay an exorbitant amount of money to have all the movie channels.
But I heard the Lion King is back in theaters for a very limited run at AMC. Like it’s going to be gone by Thursday in most regions. I guess the big splash was last weekend.
I’ve got my tickets! I’m taking the older kid to see it in the theater and I’m stoked! I haven’t seen it on the big screen since back in the mid ’90s when it had its first run. I came close when I was youth supervisor at a library and used my power of movie selection to show it on the projector there, but it wasn’t the same.
So if you have kids or if you just love the movie you have a couple of days to go see it if there’s an AMC theater near you!
So I have one hell of a huge sense of accomplishment. After months of effort I’ve finally got the first episode of an audio drama podcast I’ve been working on in the bag and it’s something I’m happy with.
It’s been quite the journey to get to this point. So far I’ve had to:
Get audio equipment I was actually happy with.
This might not seem like much, but it ended up taking a good chunk of time. I started out with an Audio Technica 2100 back when I was just thinking of doing a podcast about writing. I then upgraded to a Shure SM7B but for a variety of reasons I could never get that mic to work the way I wanted it to in a home studio setting.
I finally did a microphone shootout of my own and tried a bunch out to see which one worked. There are a lot of mic recommendations out there, but I found that ultimately it takes trying a microphone out in your setup to see how it’s going to work for you. Not all microphones are created equal and suited to the wildly differing environments in a home studio.
I ended up settling on the Rode NTK which I loved, and I’ll probably end up doing a post about my microphone shootout for anyone else out there who’s interested in that sort of thing.
Setting up my home studio
This also took some time. I initially set up my studio in my basement where I keep my office. The problem with that is my fish tank is in the basement along with our furnace which creates a lot of noise. I tried a couple of band-aids to try and get the microphone to work in my home environment, but ultimately I had to change where I worked to suit the recording setup rather than trying to get the recording setup to work in a suboptimal location.
So I moved all my stuff up to a walk-in closet attached to a guest bedroom that hardly ever gets used. The clothes in the walk-in closet were perfect for dampening sound, and it’s on the other side of the house from where most people are living so I can close the door to the closet and the room and have a pretty quiet environment without any sound treatment which is great. Recording in the closet studio has seriously improved the quality immensely.
Of course moving to that location wasn’t without issues. I had to install a monitor in there because the fan from my laptop was making too much noise. So now I have my laptop sitting outside the closet on the other side of the door where it can make all the noise it wants and it doesn’t get picked up by the mic. Meanwhile I have a bluetooth keyboard, magic trackpad, audio interface, microphone on a boom arm, and my iPad set up on a little laptop desk that faces a monitor bolted to the wall.
It works surprisingly well aside from an uncomfortable folding chair, but what can you do?
Learning Adobe Audition
I started out with Audacity and I really wanted to like it, but there were just too many things about it that annoyed me. I’ll probably do an entire post of its own comparing the two, but suffice it to say the difference between Audacity and Adobe Audition is like night and day and well worth the $20 a month Adobe charges. Plus I’m already familiar with Adobe and how their software works so it wasn’t much of a learning curve there.
It was a learning curve getting used to working with audio though. I worked through the entirety of Adobe Audition Classroom in a Book because I wanted to do this right and make sure I knew the software I was using inside and out. I was working through that around the time my daughter was born so it took a month or two to get through the whole thing, but that book is indispensable for anyone considering getting into audio.
Another book I picked up more recently is Making Tracks: A Writer’s Guide to Audiobooks by J. Daniel Sawyer. He goes into just about everything you’ll want to know if you’re interested in doing audiobooks, and all his lessons work just as well for podcasts. Which is great for me since I’m going to be trying out a podiobook model to start and see where things go.
Get used to the idea that yes, that’s what my voice sounds like
This was probably the biggest hurdle of the whole experience. I hear these narrators with these clear voices that don’t have much in the bass range, and with my voice I just didn’t like how it sounded. I tried a couple of different microphones and messing around with settings in Audition and eventually…
I came to have peace with the way I sounded. My wife told me it just sounded like me, and she eventually got annoyed when I would play two different files from two different microphones or processed two different ways. She claimed they mostly sounded the same, and I realized that I was overthinking things and I needed to get down to recording and working rather than spending time obsessing over making everything absolutely perfect.
Totally worth it
I’d say all that effort was worth it. I finally have an audio product that I can be proud of and that doesn’t have any lingering audio issues I encountered when I was working with Audacity. Sure I had to learn a whole heck of a lot to get to this point, but if you’re in the independent creator business you have to have a lifelong love of learning or you’re not going to make it very far in the business.
And I’ve discovered that I love working with audio. I enjoy getting into Audition and editing things, and I’m stoked about future projects and hope that all this investment will be worth it as I try to break into audio. Today wasn’t the first step in that process, but it was a big step!
Oh boy am I stoked for this. Stranger Things was singularly awesome when I saw it the first time around and I can’t wait for the sequel to drop in October. This Comic Con trailer in particular? Perfect. There were so many moments where I got goose bumps that I lost count.
Plus all that Ghostbusters goodness. This is shaping up to be awesome!
My wife is home with our brand new daughter right now and so she’s been watching a lot of CSI: Miami to pass the time. Which means I’ve been absorbing a lot of CSI: Miami in the background.
Miami was always my favorite of the CSIs, and a lot of that has to do with David Caruso’s leading man Horatio Caine. Caruso brought a level of smartass badassery to the show that was missing from the more heavily science focused CSI.
Only now that I’ve been rewatching CSI: Miami, at least in the background when I stop by for diaper duty, I’ve noticed something about Horatio. Especially in later seasons.
Horatio is a reverse Jason Voorhees.
Seriously. Stop for a minute and consider the similarities:
Badass facial accessorization
Jason has his iconic hockey mask. Horatio has his iconic sunglasses. And when either one of them takes off their signature item you know shit’s about to get real and there’s a good chance someone’s about to die. The only difference is that someone is some poor teenager who’s probably still basking in the afterglow of getting laid if we’re talking Jason and it’s some murderer who thought they got away with it in Horatio’s case.
Jason doesn’t play fair when he’s chasing someone through the woods. One of his victims could hop onto the Concorde (which was still running for most of his career) and fly halfway around the world and the dude would still be waiting for them at Heathrow near the baggage claim. He has the sort of teleportation abilities that would make James Doohan jealous.
But Horatio does too. Look at any episode of CSI. The closer you get to the end the more powerful his abilities get. A bad guy is in the middle of a wide open space like a parking lot or a field in one shot. Then we move to a close in shot as the bad guy smiles thinking he got away with it all and then there’s David Caruso showing up in the background with his gun out and his sunglasses in the business position.
How did he get there? It defies all rational explanation. Episode after episode he appears in places he just shouldn’t be without being some sort of wizard who travels the world dealing out justice with one liners and gratuitous application of sunglasses to his face, but every episode he pulls it off and gets the bad guy.
They both have an impressive bodycount
Jason is Jason. That should be pretty self explanatory. Killing teenagers for doing things that were considered no-nos in Reagan’s America like doing drugs and having sex is his schtick even though we’re well past those bad old days. Horatio is a little more surprising. The thing is, if you watch CSI: Miami long enough you’ll realize that Horatio is a dude with an impressive bodycount to his name.
There was the time he shot three guys who stopped an ambulance he was riding in with his stricken wife. There was the time he traveled to South America to execute the dude responsible for killing his wife. What about the time he was extradited back to South America for killing the guy who ordered the hit on his wife, and he straight up goes full Terminator on a bunch of South American gangbangers who tried to kill him?
That’s not even counting all the one off episodes where he’s forced to kill some criminal who’s gunning for him and then David Caruso gets to look soulfully into the camera before he puts his sunglasses on and delivers another trademark Horatio one liner about how no one should fuck with Horatio because they tend to die.
Sure Horatio kills bad guys. Jason kills people who may or may not deserve it depending on what era we’re talking about. Both think they’re killing to exact justice on the world even if Jason’s idea of justice is a little screwed up.
Forget Jason vs Freddy vs Ash, we need Jason vs Horatio
Imagine how awesome it would be. Two characters with all the same superpowers. One uses his powers for murdering people, the other uses his powers to apprehend people who murder people. It’s the perfect setup, and whoever owns the rights to these characters needs to get on that asap. Of course it would turn into a never ending ouroboros where Jason teleports in to get the killing blow on some poor hapless camp counselor, Horatio teleports behind him with his gun out ready to make the arrest, and they rinse and repeat for all of eternity.
Still, that’d be pretty awesome. Someone needs to get David Caruso and Kane Hodder on the horn and make this happen.
Update 9/18/2017: A commenter pointed out that some of the features mentioned here aren’t available in the PC version of Scrivener. It’d been long enough since I used it that I didn’t realize. There is a stripped down version of Project Targets in the PC version, but there are parts of this post that will only apply to the Mac version. Unfortunately Literature & Latte doesn’t seem interested in introducing a full featured version of their software for PC users at this time.
I use Scrivener for all of my writing. Once upon a time I used Word because that’s what I had, but if you spend any time around writers you’re going to have someone recommend Scrivener to you. And at $45 it’s really a steal compared to Microsoft’s flagship word processor. It’s certainly less expensive than Wordperfect.
Assuming you’re old enough to remember what Wordperfect is.
The point is I use Scrivener a lot and I figured I’d share some tips and tricks that I use on the daily. This will be an occasional feature since it will only happen when I think of something useful.
Today’s subject? Project Targets. Easily one of the most useful little tools hidden in Scrivener.
Lots of programs will tell you a word count. The wonderful thing about Scrivener? It will give you a word count and also allow you to set a target goal for your manuscript. It then calculates how many words you need to write per day if you’re going to hit that goal and provides cool little progress bars that show both the progress on your novel as a whole and your progress on today’s word count.
Talk about useful!
To activate this feature you navigate to Project>Show Project Targets in Scrivener. There’s also a keyboard shortcut, but it’s different on Mac and PC and the tooltip is right there on the menu so I’ll leave it to you to figure out what it is in your particular OS.
Once you do that Scrivener pops up that helpful little window I mentioned that has the two bars showing progress towards your total goal and progress towards your daily goal. The only thing is it’s not going to work like that right out of the box. You could type 100,000 words and those bars would stay empty even as the word count climbs.
You have to play with them a little bit to get everything working properly.
First you need to set a word count. Under the top progress bar it says 0 of 0 words. Assuming this is a new project. If it’s an existing project you’re writing on there will be some different number in the first spot. Simply double click on the second 0 and input your estimate of how long you think the manuscript will be. Voila! Scrivener now shows you your progress towards your ultimate goal!
That’s not the best thing Project Targets will do for you though. No, you want to know what your daily goal is too. So click on the Options button to open up… your options. It’s pretty much what it says on the tin.
From here there are a couple of things you’ll want to adjust to get everything working correctly:
Click the checkbox next to Deadline and insert the date you want to be finished in the date box to the right.
Click the checkbox next to Automatically calculate from draft deadline and then select the days of the week you’re able to write.
Everything should be working as intended now and you don’t need to mess with any of the other settings. However those settings can mess with your progress bars depending on how you have your manuscript configured so I’m going to talk about them briefly and how they can screw up your total word count.
Count documents included in compile only is just what it says on the tin. When you click the compile button there are checkmarks next to the folders and chapters you want to include in that compile. If something isn’t checked it won’t be included.
This is important to keep in mind. I once had a novel that I thought was 10k words shorter than it actually was because I unchecked compiling a couple of chapters for some reason that’s lost to the sands of time. It was a pleasant surprise when I realized my mistake, and a boneheaded mistake I never made again.
There’s really no reason to uncheck this option since you only want to include stuff that’s going into your finished project.
Count text written anywhere in the project is best left unchecked. At least in my workflow. I have a lot of notes and different drafts of novels that I keep in various folders. If I checked this option then it would count those multiple drafts and suddenly I’m not getting an accurate count of what’s going into the final draft. Your workflow may vary depending on how you use Scrivener.
Allow negatives lets you go into a negative word count. So say you write 1000 words but then you go back and edit and remove 1200 words. You’d be at -200 for the day. I don’t use this option because when I’m writing I just write and don’t edit so there’s no point in tracking negatives. Again, your preference may vary depending on your workflow.
So there you have it. Project Targets in Scrivener! I’m always working on anywhere from 4-6 novels at any given time and I always write small chunks of each one daily. It harnesses my natural tendency to distraction and keeps me from getting bored writing one novel at a time. It’s indispensable knowing exactly how many words I need to write in each project on a daily basis to hit my target goal.
Even if you don’t use it that way I’m sure this will be useful if you’re a Scrivener user. Hope it helps!